cinema nation was asked to speak at the 18th Europa Cinemas Conference, held in Athens between 21-24 November 2013. As part of a workshop on the future of cinemas, Michael delivered a fast paced overview of how to prepare yourself with working with young audiences.
Developing Inclusive Youth work requires no extra special sets of skills, but in the case of working with children and young people who are deaf this would require learning Sign Language. In fact there’s nothing ‘special’ going on at all. Inclusion is just good practice. it is a ongoing process and not an end in … More
‘Youth voice’ and ‘youth participation’ has been a growing movement in a number of sectors for a long time. But the phrase ‘youth engagement’ is often overused and misunderstood. Effective youth engagement is one of the most critical priorities for organisations working with young people. With everyone keen to ‘do it’, many are considering how … More
On a fairly frequent basis – at events, during workshops, in articles – I’ve heard people say that young people aren’t that interested in the cinema anymore. Which would be a huge cause for concern if it were true. However, in her excellent recent article for Sight & Sound, Screening it for themselves: young DIY British … More
Directors UK today urges the film industry to take decisive action to tackle the issue of gender inequality among film directors in the UK, calling for 50% of publicly funded films in the UK to be directed by women by 2020. This call comes off the back of a new report commissioned by Directors UK, which shows that the … More
Many women still feel invisible in the arts – underpaid and under-represented. We need to adopt more innovative ways of tracking gender balance.
Calling the Shots: Women and Contemporary Film Culture in the UK, 2000-2015 is a large Arts and Humanities Research Council funded (£589,710) four-year project researching and writing the contemporary history of women working in the UK film industry.
The attention of the world is now focused on the Syrian refugee crisis. Can film-makers ensure we see those affected as people rather than statistics? Emma Jones reports.
1. How many people come to the UK each year? There were 129.9 million passenger arrivals in 2016, including returning residents: a record number and an increase of 6.5 million on 2015. This increase was mainly accounted for by 3.6 million more arrivals by British, and 2.0 million by other EEA and Swiss nationals (+5% … More
We see plenty of damaging and misleading stereotypes—but some films foster empathy toward people who are suffering.
