In the current migration crisis, the terms “migrant”, “refugee” and less commonly “asylum seeker” are used daily to mean one and the same thing. Each term, however, has a distinct meaning that carries different international obligations and consequences. If conflated, it can mean the difference between life and death. So what are those differences?
The BIG Promise will highlight organisations and leaders who are serious about race equality. The Big Promise is an organisational commitment to action not just words. Individuals and / or organisations make a public commitment, which is measurable and to which they will be held accountable, to create a positive change. Choose from seven meaningful … More
Toolkit from The Space. A toolkit to help put plans in place to protect your organisation, staff, systems and freelancers in an incident of online abuse.
Hynt is an Arts Council of Wales initiative managed by Creu Cymru in partnership with Diverse Cymru. Arts Council of Wales wanted to create a single national access scheme for disabled customers and their carers.
Experience art and culture through audio description. Bringing art and culture to life for blind and visually impaired people at theatres, museums, galleries, heritage sites and online.
Hardish Virk has been an audience development consultant for over 15 years. In this session, Hardish Virk talked about three key elements of audience development; research, tools/methodologies and sustainability. It was an opportunity for delegates to learn how best to engage diverse communities and audiences through tailored marketing.
Ama Culture Hive: This series of five case studies demonstrate different possible approaches for increasing the diversity of your audience. From the Balti Bus project at the Lawrence Batley Theatre, through to The Ramayana at Royal National Theatre London, each project approach is outlined and its effectiveness evaluated.
About the group The Keswick Alhambra Young Programmers scheme has been a tremendous success: just under 20 sixth formers from our local state school formed The Alhambra Cinematic Society (ASC), with ca 5-8 pupils meeting weekly in school on Wednesday lunchtimes, selecting and promoting 16 films in a five month period: two seasons showing one … More
Background Storyhouse Young Programmers are a group of fifteen 14–25-year-olds who are passionate about programming. Young Film Programmers first took place in 2016 – before Storyhouse opened. It was an audience development scheme supported by FAN via Film Hub Northwest Central (now Film Hub North) with the aim of connecting with young audiences and to … More
Podcasting a live event can be a great way to make your valuable event reach more people though the power of audio. It can help showcase the work and document the event for future listening.
This guide has been created by Adam Zmith, Co-founder of Aunt Nell, Producer of The Log Books and The Film We Can’t See.
It is a guide for film programmers / event managers / tech people working in cinemas who want to make a podcast out of their live events. It has been created for our T.L.C (aka Tender Loving Care for Trans-Led / Trans-Loved Cinema) series of events and podcasts. The is aimed at people who would like to create a podcast and are running live events in cinemas where there will be a PA/sound system and assistance from a tech person.
This guide intends to give you broad headings for everything you need to think about, some answers for how to make it all happen, and links out to further information.
Download the How To Podcast Your Live Event guide
