The Ultimate Guide to Audio Description
Just about everything you need to know about audio description…and then some!
Inclusive Cinema is committed to addressing inequality and promoting diversity in UK cinema exhibition.
We believe that Black Lives Matter, and we are listening, learning and taking action. We continue to read and share resources with the Film Audience Network membership, and use our platform to amplify the work of Black-led organisations, makers and curators.
Black culture is integral to British society and should be woven into our education and cultural understanding all year round, not just for now, but forever. As an opportunity to raise up the stories of those who have been marginalised, we hope this resource can be used as a vehicle to start important conversations and continue creating change – in on-screen representation, recognition of cultural impact, and in delivering a more inclusive future.
Dardishi: Festival of Arab and North African womxn’s art (Glasgow)
Africa in Motion (Glasgow/Edinburgh)
Fringe of Colour (Edinburgh)
African Film Club (Edinburgh)
Fly! Festival of Black Women’s Film (Bristol)
We Are Parable
The New Black Film Collective
The British Blacklist
Come the Revolution
Creative Debuts: Black Artist Grant
Black Ticket Project
Cinema Golau (Wales)
Watch Africa (Wales)
Caramel Film Club (London)
Recognize (Midlands)
CineQ (Midlands)
Mangosteen Media (Manchester/Bolton)
Black Gold Arts (Manchester)
Cables & Cameras (Bristol)
Afrika Eye (Bristol)
Kiki (Bristol)
Black Femme Film (London)
the:nublk
Just about everything you need to know about audio description…and then some!
June is LGBTQIA+ Pride Month in the United Kingdom. It commemorates the Stonewall riots and aims to recognise the impact LGBTQIA+ people have had and continue to have across the world.
It’s a month for communities to come together in solidarity to unite, to protest and to celebrate the heritage, culture and contributions of lesbian, gay, bisexual, transgender, queer, intersex and asexual people.
Activists and allies can support by:
There are a wealth of films available on the LGBTQIA+ experience and history. It’s now as important as ever to support the work of LGBTQIA+ filmmakers and we have some lists and suggestions to get you started.
You can learn about how to become a more LGBTQIA+ friendly organisation, and think about how to support and collaborate with LGBTQIA+ led exhibitors and programmers.
When running LGBTQIA+ events is is important to consider intersectionality, including supporting global majority communities and ensuring your events embed disabled and neurodivergent access.
If you are interested in running a film event for, or inspired by, Pride, here are some resources for information and to help generate ideas, from case studies to film guides.
What are the advantages of having a diverse range of volunteers? Having a more diverse range of people volunteering with your organisation will mean that you will have more skills and experiences to draw upon and the organisation will become more inclusive and welcoming to all.
NCVO champions and strengthens the voluntary sector, with over 14,000 members, from the largest charities to the smallest community organisations.
Mental Health First Aid England have put together some guidance for ways to support your mental health while working from home.
There are several access schemes operating in the UK which provide benefits, transparency when negotiating a trip to the cinema.
CEA Card – The CEA Card is a national card scheme developed for UK cinemas by the UK Cinema Association (UKCA). The Card enables a disabled cinema guest to receive a complimentary ticket for someone to go with them when they visit a participating cinema. The Card is also one way for cinemas to make sure they look after their disabled guests. If you require an adjustment to visit a cinema because of your disability, cinema staff should make them for you whether you have a CEA Card or not.
Nimbus Card – The Access Card translates a cardholder’s disability / impairment into symbols which highlight the barriers they face and the reasonable adjustments they might need. This then informs providers quickly and discreetly about the support needed and may gain holders access to things like concessionary ticket prices and complex reasonable adjustments without having to go into loads of personal detail. It’s all based on rights outlined in the Equality Act and providers responsibilities.
HYNT Card – Hynt is a national access scheme that works with theatres and arts centres in Wales to make sure there is a consistent offer available for visitors with an impairment or specific access requirement, and their Carers or Personal Assistants. If you need support or assistance to attend a performance at a theatre or arts centre then you may be eligible to join hynt. Each year HYNT holds a symposium for venue staff and other professionals working in the sector.
Nimbus CredAbility – CredAbility is Nimbus’ quality mark. Like the Access Card itself CredAbility was designed and developed by Nimbus; with and for disabled people. It reflects what a commitment to good practice should look like when providing services to a disabled customer.
Gigbuddies – Gigbuddies is NOT about providing free support or replacing statutory services. It’s about enabling people with learning disabilities to have people in their lives who aren’t paid to be there. Gigbuddies match people up with a volunteer who commits to attending at least one gig per month. Gigbuddies is a campaign run by charity, Stay Up Late.
Euan’s Guide – Euansguide.com is the disabled access review site where disabled people, their family, friends and carers can find and share reviews on the accessibility of venues around the UK and beyond. The site is an invaluable tool for everything from planning a day out, to picking a last-minute place for coffee or lunch. “The aim of Euan’s Guide is to empower disabled people by providing information that will give confidence and choices for getting out and about.” Founder, Euan Macdonald.
AccessAble – AccessAble is here to take the chance out of going out. To give you the accessibility information you need to work out if a place is going to be accessible for you. They’ve surveyed 10,000s of venues across the UK and Ireland, including shops, pubs, restaurants, cinemas, theatres, railway stations, hotels, colleges, universities, hospitals and more. Use AccessAble to find wheelchair friendly venues or check out disabled access and facilities.
Last year we asked the film, TV and cinema workforce to tell us about their mental health as part of ground-breaking research into the wellbeing of people working in our industry. What did we see? The centrepiece of the research was an online survey – over 9,000 people responded. The Looking Glass survey results reveal … More
Welcome to the 2019 Shaw Trust Power 100. Britain’s most influential disabled people.
In 2019, This Way Up took to Nottingham for the event’s sixth edition, which kicked off with opening sessions reflecting the key themes of the overall conference: Celebration, Resilience and The Future.
The conference featured more talks around inclusion than ever before, and we at Inclusive Cinema captured four of our favourite talks so those who couldn’t make the event could still get the benefit of case studies and insights shared.
The talks below are provided by the following speakers:
Rabab Ghazoul, the Founder & Director of Welsh cultural organisation platform Gentle/Radical, shared her vision of what the future of working with audiences could be. What does ‘outreach’ look like now, and what could it become?
Karena Johnson, Artistic Director and CEO, Hoxton Hall, shared her experience of re-launching Hoxton Hall, a Victorian music hall, and tackling the sometimes uncomfortable issue of diversity. She led a workshop session where delegates were invited to explore their own approach. She spoke about shifting organisational culture, bringing a team with you on a journey and how to manage expectations.
Rico Johnson-Sinclair, Director and Programmer of CineQ Birmingham discussed campaigning for queer, trans, and intersex people of colour’s stories on screen and how he reaches audiences.
Nikki Stratton, Co-Founder & Director, Deaffest looked at the best ways to market to D/deaf audiences. Catherine Downes (Co-Founder, usheru) discussed their work aiming to reach those that start the ticket-buying process but don’t complete the all-important checkout process. With tips and tricks to maximise the potential of your marketing output.