THE BLACK LIVES MATTER MOVEMENT website (not connected to BLMUK) was set up in July 2016 following the racist police killing of Alton Sterling and Philando Castile in the US. WE do not claim to speak for anyone but ourselves – concerned activists that fighting for racial and social justice in the UK.
From the author behind the bestselling Why I’m No Longer Talking to White People About Race,comes a podcast that takes the conversation a step further. Featuring key voices from the last few decades of anti-racist activism, About Race with Reni Eddo-Lodge looks at the recent history that lead to the politics of today.
“I was taught to see racism only in individual acts of meanness, not in invisible systems conferring dominance on my group”
This document is intended to serve as a resource to white people and parents to deepen our anti-racism work. If you haven’t engaged in anti-racism work in the past, start now. Feel free to circulate this document on social media and with your friends, family, and colleagues.
This document is intended to serve as a resource to white people and parents to deepen our anti-racism work. If you haven’t engaged in anti-racism work in the past, start now. Feel free to circulate this document on social media and with your friends, family, and colleagues.
Inclusive Cinema is committed to addressing inequality and promoting diversity in UK cinema exhibition.
We believe that Black Lives Matter, and we are listening, learning and taking action. We continue to read and share resources with the Film Audience Network membership, and use our platform to amplify the work of Black-led organisations, makers and curators.
Black culture is integral to British society and should be woven into our education and cultural understanding all year round, not just for now, but forever. As an opportunity to raise up the stories of those who have been marginalised, we hope this resource can be used as a vehicle to start important conversations and continue creating change – in on-screen representation, recognition of cultural impact, and in delivering a more inclusive future.
Dardishi: Festival of Arab and North African womxn’s art (Glasgow)
Africa in Motion (Glasgow/Edinburgh)
Fringe of Colour (Edinburgh)
African Film Club (Edinburgh)
Fly! Festival of Black Women’s Film (Bristol)
We Are Parable
The New Black Film Collective
The British Blacklist
Come the Revolution
Creative Debuts: Black Artist Grant
Black Ticket Project
Cinema Golau (Wales)
Watch Africa (Wales)
Caramel Film Club (London)
Recognize (Midlands)
CineQ (Midlands)
Mangosteen Media (Manchester/Bolton)
Black Gold Arts (Manchester)
Cables & Cameras (Bristol)
Afrika Eye (Bristol)
Kiki (Bristol)
Black Femme Film (London)
the:nublk
In 2019, This Way Up took to Nottingham for the event’s sixth edition, which kicked off with opening sessions reflecting the key themes of the overall conference: Celebration, Resilience and The Future.
The conference featured more talks around inclusion than ever before, and we at Inclusive Cinema captured four of our favourite talks so those who couldn’t make the event could still get the benefit of case studies and insights shared.
The talks below are provided by the following speakers:
Rabab Ghazoul, the Founder & Director of Welsh cultural organisation platform Gentle/Radical, shared her vision of what the future of working with audiences could be. What does ‘outreach’ look like now, and what could it become?
Karena Johnson, Artistic Director and CEO, Hoxton Hall, shared her experience of re-launching Hoxton Hall, a Victorian music hall, and tackling the sometimes uncomfortable issue of diversity. She led a workshop session where delegates were invited to explore their own approach. She spoke about shifting organisational culture, bringing a team with you on a journey and how to manage expectations.
Rico Johnson-Sinclair, Director and Programmer of CineQ Birmingham discussed campaigning for queer, trans, and intersex people of colour’s stories on screen and how he reaches audiences.
Nikki Stratton, Co-Founder & Director, Deaffest looked at the best ways to market to D/deaf audiences. Catherine Downes (Co-Founder, usheru) discussed their work aiming to reach those that start the ticket-buying process but don’t complete the all-important checkout process. With tips and tricks to maximise the potential of your marketing output.
I tend to tell new people that I’m diagnosed with Asperger’s syndrome fairly quickly. I see it as pragmatic. They get a slightly better idea of how my brain works, they can help me with things that I find more difficult, and they understand why Leicester Square’s crowds are my personal seventh circle of hell. … More
A Fixers campaign led by Benice Asante-Boahene. Fearing that autism is misunderstood by some members of black, Asian and minority ethnic (BAME) communities, Benice Asante-Boahene is raising awareness of the condition. The 25-year-old from London wants to tackle the myths surrounding autism that she feels exist within some cultures, helping people to receive more support … More
The 700,000 autistic people in the UK come from all backgrounds, identities and cultures. There is a lack of research about the experience of people from black, Asian and minority ethnic (BAME) groups, but our 2014 research (see our report, Diverse Perspectives) suggests it can be even harder for people from BAME backgrounds to get a … More
