FWD-Doc: Download the FWD-Doc toolkit
FWD-Doc in association with Doc Society supported by Netflix presents: A Toolkit for Inclusion & Accessibility: Changing the Narrative of Disability in Documentary Film
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Tag: accessibility
How we are reimagining recruitment at Watershed
Practical steps for making recruitment more inclusive, through more accessible and human experiences.
Open Subtitles
Search for downloadable subtitles for films.
Film Hub SW: Members Access Workshop (making online events accessible)
Recording of Film Hub South West Zoom sessions about making online events accessible.
Manifesto 04: Accommodating D/deaf audiences during Covid-19
In this fourth article we hear from Charlotte Little, deafblind film journalist and accessibility consultant, about their vision of an industry which accommodates D/deaf audiences.
One-inch barrier or a world of cinematic possibilities?
In this article, curator and subtitler Sonali Joshi considers the importance of subtitles and audio description in making films accessible to wider audiences, and highlights the skill required to make these elements blend seamlessly into a filmmaker’s work.
Hynt
Hynt is an Arts Council of Wales initiative managed by Creu Cymru in partnership with Diverse Cymru. Arts Council of Wales wanted to create a single national access scheme for disabled customers and their carers.
Vocaleyes
Experience art and culture through audio description. Bringing art and culture to life for blind and visually impaired people at theatres, museums, galleries, heritage sites and online.
Inclusive Cinema – an overview
Short synopsis: Inclusive Cinema was a UK-wide project developed by the BFI Film Audience Network (FAN) designed to support screen exhibitors. The project celebrated diversity on screen, in the audience and behind the camera. Inclusive Cinema was at the heart of BFI FAN’s strategy. It aimed to bring British, international and independent film to all … More
Creative and Credible: CASE STUDY: Developing an Outcomes Framework For Arts And Older People
This hypothetical case study draws on Willis Newson’s experience of evaluating arts projects with older people in residential care homes.
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