How the arts can help change attitudes to blindness
Thinking creatively about formats such as Braille and audio description can help improve accessibility and perceptions about blindness
Thinking creatively about formats such as Braille and audio description can help improve accessibility and perceptions about blindness
To ensure the maximum number of people can benefit from watching films in your venue, you may wish to hold screenings with HOH subtitles (HOH stands for ‘Hard of Hearing’) or audio description, which serve Deaf or hard of hearing and partially sighted or blind audiences respectively. It’s important that cinemas are welcoming to all … More
The RNIB’s Sight Loss Data Tool is the UK’s biggest collection of eye health datasets. The product collates a wide range of publically available datasets and allows users to view local area data easily in one of three different automated reports. The full report tells a tailored story about the local area; custom tables allow … More
Developing Inclusive Youth work requires no extra special sets of skills, but in the case of working with children and young people who are deaf this would require learning Sign Language. In fact there’s nothing ‘special’ going on at all. Inclusion is just good practice. it is a ongoing process and not an end in … More
Accessible, subtitled shows enable film fans with hearing loss to ENJOY rather than endure cinema. For a few hours, the disabling barrier is removed. Last year more than a million attended accessible UK shows!
Accessible Screenings UK is a listing site to help you find information on accessible screenings in UK Cinemas.
The CEA Card is a national card scheme developed by the UK Cinema Association for UK cinemas. The scheme was introduced in 2004 and is one of the ways for participating cinemas to ensure they provide a consistent voluntary approach to making reasonable adjustments for disabled guests when they go to the cinema. Around 90 … More
An app that creates an audio description soundtrack for films is helping blind people ‘see’ at the cinema – but not enough is being done to implement the technology.
In the UK, it is thought that some seven million people of working age have a disability, which all adds up to an awful lot of spending power.
In this day and age all cinemas should be accessible for disabled people, right? Emma Purcell investigates to find out about people’s experiences of accessibility and customer service at cinemas, as well as what regulations are, or should be, in place to improve equality for disabled people at UK cinemas.