Why Cultural Organizations Are Not Reaching Low-Income Visitors
In this article the author breaks down data about visits to institutions by people from different socio-economic class for us to understand how to make venues more accessible.
In this article the author breaks down data about visits to institutions by people from different socio-economic class for us to understand how to make venues more accessible.
The social class of cinema audiences is a subject that is not widely discussed. This piece explores exit polls from cinema showings, and talks about the implications of this work.
Class: The Elephant in the Room is a report written by theatre practitioner Rhiannon White looking at the concept of class.
This is a video that examines how people interact with each other.
This is a list of terms relating to Lesbian, Gay, Bisexual, Transgender, Queer, + (LGBTQ+) definitions,
Resources to support this international project on cinema for refugee groups in school.
Watch these videos to find out more information on how to fundraise.
The 1963 arrival of Billy Liar looked like the beginnings of a more democratic, working-class film industry. So why are we still stuck with polite social realism and sniggery classism?
Just under a third of people in Britain are excluded from mainstream society because they cannot afford to join in cultural activities such as going to the cinema, taking a holiday or buying consumer goods.
In 2015 Cinema For All started our Reaching Communities project and began collaborating with disadvantaged and marginalised communities all over the UK to provided them with all the training, support and assistance they needed to establish their own community cinemas and film screenings.