What might a more inclusive film programming world look like?
Lillian Crawford and her fellow Barbican Young Programmers reflect on their experiences of curating film events and hopes for a more inclusive film programming community.
Lillian Crawford and her fellow Barbican Young Programmers reflect on their experiences of curating film events and hopes for a more inclusive film programming community.
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A Wales-wide young programmers group raising the profile of Made in Wales films through screenings and events. Background The Wales Youth Festival Network is an informal network of film festivals and film exhibitors across Wales. It was set up in 2019 with support from Wicked Wales Films and Film Hub Wales with the aim of … More
About the group The Keswick Alhambra Young Programmers scheme has been a tremendous success: just under 20 sixth formers from our local state school formed The Alhambra Cinematic Society (ASC), with ca 5-8 pupils meeting weekly in school on Wednesday lunchtimes, selecting and promoting 16 films in a five month period: two seasons showing one … More
Background The Nerve Centre was set up in 1990 as a self-starting organisation for young people in Derry-Londonderry who felt marginalised by education, politics, and culture at the time. Embracing the creative learning opportunities that emerging digital technologies offered, the Nerve Centre has grown to become Northern Ireland’s leading creative arts and media centre. The … More
Background Storyhouse Young Programmers are a group of fifteen 14–25-year-olds who are passionate about programming. Young Film Programmers first took place in 2016 – before Storyhouse opened. It was an audience development scheme supported by FAN via Film Hub Northwest Central (now Film Hub North) with the aim of connecting with young audiences and to … More
Background The Barbican Young Film Programmers group has been running since 2012 and is for around 12 young people aged between 16-25. As a Young Film Programmer, members are equipped with the skills to put on film events, find out exactly what it takes to create their own cinema event and to spend quality time … More
Throughout 2021, the Exeter Phoenix recruited a group of 18-25 year olds to form the first Young Audience Panel. Background In January 2021, Exeter Phoenix worked with a freelance Cinema Outreach Coordinator to work on an audience development project aimed at strengthening visibility of their new cinema screen Studio 74 and to find new ways … More
INDIs Young Programmers Group have worked to put on monthly screenings, including during and through the pandemic period. Background INDIs Young Programmers Group are a group of 16-30 year old film enthusiasts who work to put on film screenings every month. Pre-pandemic, we put on many successful in-person screenings of many independent and British films … More
If you’ve ever thought about how to engage young audiences aged 16-30 but have been unsure where to start or even if you’ve begun work in this area but are now thinking about how to take it to the next level, then this is the resource for you.
Film Hub London is Young Audiences lead for FAN and we have been listening to and learning from the incredible FAN members delivering this work at venues, festivals and film societies across the UK. For this guide – FAN’s ‘Guide to Working with Young People’ – Moira McVean (FAN Young Audiences Manager) in collaboration with FAN Young Consultant Thea Berry has gathered case studies and examples of many of the ways you can bring young people and youth voice into your venue to authentically support you in engaging young people as young audiences for independent film.
The guide is split into chapters that highlight ways in which you can work with young people and throughout you’ll find links to supporting documents and further guidance. We’ve also included plenty of real-world quotes from both young people and venue management to help with board conversations and advocacy for the benefits of this work. Crucially, everything recommended is evidence based and grounded in research.
The introduction references research documents that have helped us determine the key barriers to young people’s attendance at independent venues with statistics that point towards the business case for young audience development.
It’s possible to read this guide as a journey that a young person could take with your organisation. Beginning as a focus group participant, moving to becoming a young writer and reviewer and onwards to Youth Advisory group member, Young Trustee, Mentee and Mentor. We have also gathered a range of case studies from across FAN detailing Young Programmer initiatives and examples of how these groups have led to the formation of independent film collectives.
So, with this resource we also want to encourage you to think about opening your venue’s doors and handing over your curatorial reigns to takeovers by these young collectives, youth led festivals and film clubs.
Significantly, all the practitioners we invited to contribute have highlighted one over-riding message and that is that to effectively attract young people to your venues and events, it is essential that you involve them in the design and development of your programmes and spaces. Therefore, our intention for this resource is to inspire and encourage more of the FAN membership to embrace and experiment with working with young people. We believe that by working with young people, taking on board their suggestions and advice and innovative ways of thinking, that the rewards will include welcoming young people into your venues as new audiences for independent film.
Download BFI FAN – GUIDE TO WORKING WITH YOUNG AUDIENCES.pdf