The Borderlines film festival ran for 17 days in February and March. It took place in 26 locations, including pubs, churches, assembly rooms and village halls, across Herefordshire, Shropshire and the Welsh Marches. We’ve learned a lot in the festival’s 14 years about running rural arts events at this time of year.
The Guide points to the information that you need to know to determine whether you have screened your films successfully, attracted intended audiences, and made a difference to the people that attend as well as your wider community and economy.
This guide takes you through several planning stages. At each stage there are signposts to further information to watch or read. It shows you how to bring everything together to make an actionable plan that will help you attract the widest possible audience in imaginative and energetic ways. It will help you identify potential audiences … More
Black folks and people of color are out making culture, like we always have been since times immemorial. But white supremacist patriarchal capitalism has upgraded itself and once again our cultural production is capitalised on, while our bodies, well-being and communities are still expendable.
This booklet offers simple guidance on how local individuals, charities and groups in the UK can help welcome refugees into our communities. It explains some of the issues surrounding the process with materials and input from groups around the country.
In 2016 Film Hub Wales approached venues across North Wales to develop a project designed to reduce isolation, build creative infrastructure and generate buzz around British independent and international films. Galeri, Pontio, Theatr Ardudwy and CELLB responded, bringing expertise and new cinema experiences to audiences in Gwynedd.
Audiences London developed these Guidelines for building a visitor profile in order to help organisations in their steps to develop a more diverse audience. These Guidelines are based on a research project carried out by Audiences London, which consulted a range of cultural organisations of all shapes and sizes. The advice here therefore acknowledges that … More
The dos and don’ts of designing for accessibility are general guidelines, best design practices for making services accessible in government. Currently, there are six different posters in the series that cater to users from these areas: low vision, D/deaf and hard of hearing, dyslexia, motor disabilities, users on the autistic spectrum and users of screen readers.
