Young people taking the lead

Matt Fenton is the Artistic Director and Chief Executive of Contact. In this case study on the theme of leadership and development, Matt talks about their model which relies on young people aged 13–30, and the wide-ranging impact two specific projects have had on participants, communities and audience development.

Recognising the rights of LGBTIQ+ people, National Coming Out Day brings awareness of LGBTIQ+ experiences across the world.

National Coming Out Day was inspired by a single march. 500,000 people participated in the March on Washington for Lesbian and Gay Rights on October 11, 1987, generating momentum to last for 4 months after the march had ended. During this period, over a hundred LGBTIQ+ identifying individuals gathered outside Washington, DC, and decided on creating a national day to celebrate coming out – this began on the 1st anniversary of their historic march.

Cinemas UK-wide will be sharing LGBTIQ+ stories to encourage acceptance, understanding and celebration in audiences.

Minds on Film Index

To mark almost seven years of Minds on Film, here is an updated index of blogs in an archive. They are organised by specific psychiatric conditions or particular mental health issues, and some key titles are highlighted.

Welcoming Syrian Refugees

This booklet offers simple guidance on how local individuals, charities and groups in the UK can help welcome refugees into our communities. It explains some of the issues surrounding the process with materials and input from groups around the country.

Refugee Week 2018 – conference materials

On 12 February 2018, over 250 people from across the UK gathered to share ideas and inspiration in preparation for the special 20th anniversary edition of Refugee Week (18-24 June 2018). Find here some notes and resources from the six workshops that were held during the conference.

Many d/Deaf people report bad experiences in cinemas such as poor customer service, or lack of subtitles on advertised screenings. Because of this, cinema trips can become stressful. d/Deaf audiences of colour may feel further reluctance to go to the cinema if they’ve experienced racial prejudice or don’t feel represented in their cinema. Running a club that supports an intersectional audience in this way creates a safe space for d/Deaf audiences of colour and can provide valuable cultural experiences and social opportunities.

Things to think about

  1. Brand the film club, if you can, to give it a strong sense of identity. The catchier the name the better, as it will help with name recognition and perhaps merchandising down the line.
  2. Seek endorsement from D/deaf organisations such as BDA (British Deaf Association) and bloggers e.g. Limping Chicken.
  3. Enhance your screenings with a forum/extra activity. Create a space for conversation, friendships to flourish, and discussion and debate.
  4. Offer food, even just a tea and biscuit break. If you can do something more exciting e.g. ethnic even better. Who doesn’t love free food?!
  5. Evaluate through surveys and/or your forum. Collate feedback and use it to improve events on the go. Think about being creative and using visual mechanisms like dot voting or smiley faces. Take feedback well and try not to be offended. Value their opinion and do your best to listen. Discrimination of D/deaf people is called ‘Audism’ and they are probably wary of hearing people, so be understanding if they need to vent.
  6. Develop leaders in the group and empower them with responsibility/autonomy, don’t mother or smother. Set up a small committee or steering group, if possible, which will give them even more status and hopefully pride in what they are doing and something that they can add to their CV. Encourage CODAs (Children of D/deaf Adults) and their family members to get involved as well.
  7. Consider people with hearing loss who do not sign (e.g. due to old age or through damage) and prefer oralism. Decide if you can also cater for them within the same group.
  8. Keep jobs simple and manageable though for the steering group. We’re looking to build confidence, not overwhelm people. Examples of roles can include: –
    – photographer/videographer (they can simply use their mobile phone and upload to – Facebook page/group)
    – someone in charge of registration/surveys
    – additional ushers to support staff
    – someone in charge of refreshments
    – talent booker
    – creator of signed YouTube promos
    – social media manager
  9. If you have the choice, find a venue with a great manager who cares. Consider also the demographic of your region, and if your location makes sense. Is it close to the community you’re trying to welcome?
  10. Use Whatsapp or a Facebook group to communicate (so you don’t have to worry about book an interpreter everytime you want to liaise with them) with steering group and it could be an easy way to set up film club membership as well. Having that could be a lot less work than maintaining and updating a website for the film club.
  11. Set frequency of meetings to discuss managing the film club. If turnout is low, then arrange to meet an hour or so before the event so they can go and enjoy themselves afterwards.
  12. Rotate the programme so that it reflects different issues e.g. nationality, race, gender, sexuality, disability etc. in order to represent the intersectionality of the group and make them feel acknowledged on an individual basis. Note that the group might sign in different languages and may not be familiar with BSL or English in general.
  13. Use Silent, Anime and World Cinema screenings as an opportunity to draw in the D/deaf and HoH community to your venue and integrate with your mainstream audience. Make sure the film is in the subtitled version, if relevant, as sometimes foreign films drop into English conversation.
  14. Learn the tastes of your steering group so that you are able to support their choices of film as there could be many that they have not heard of, let alone seen different genres. When showing them trailers, choose the CC (Closed Caption) option on YouTube, where possible.
  15. Consider Black History Month and/or Disability History Month as time for extra celebration or a special season, especially if you are not able to provide an all year round programme.

CREATE Film Festival

CREATE Film Festival was a project from multi-award winning organisation In Place of War, that looked at creativity in sites of conflict through the eyes of some of the world’s most daring and innovative filmmakers.

Accessible film club development, Gulbenkian

Project overview Why the project matters Through working with autism and learning disabilities arts charity, Square Pegs, we identified that we weren’t reaching a local audience of learning disabled and autistic young adults, who currently do not access, experience and appreciate film through a local cinema experience. However, we also identified that our current set … More

Come the Revolution

Come the Revolution is a collective of black curators, programmers and creatives that have been supported by Film Hub SWWM over the past 18 months to develop their practice and deliver a series of screening events in Bristol and Birmingham exploring and challenging black life, experience and cultural expression.