Mental Health Awareness Week is an annual event when there is an opportunity for the whole of the UK to focus on achieving good mental health. The Mental Health Foundation started the event 21 years ago. The event has grown to become one of the biggest awareness weeks across the UK and globally.

Loneliness

Loneliness is affecting more and more of us in the UK and had a huge impact on our physical and mental health during the pandemic. Our connection to other people and our community is fundamental to protecting our mental health and we need to find better ways of tackling the epidemic of loneliness. We can all play a part in this.

Read more here.

Mental Health and Cinema

Mental Health Awareness Week shines a light on mental health experiences. Often misrepresented, mental health stories on screen can add to stigma around mental health conditions. films can also present opportunities to raise awareness, support education and broaden understanding about mental health experiences, and ignite important discussions about how we look after each other. Find some highlighted films and events on this page, along with resources to support the wellbeing of cinema audiences.

Online films

We have provided some links to some interesting films below. If you are a filmmaker who works with themes of mental health and have work online, for example on your website, YouTube or Vimeo, you can let us know about it by completing our contact form here.

Online cinema ideas

Online initiatives can help people and communities to connect and support people experiencing mental health problems. There are some resources included here for getting started with running events online. 

Could you:

  • set up a watch party and have a chat on Zoom/Skype after the film?
  • run an online drawing, poetry or drama workshop, using a film as a theme?
  • buddy up individuals to have a chat online each week about a short or feature film they’ve seen?

Film ideas and resources

Every Mind Matters Campaign
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Guide to Online Film Clubs
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Learn how to plan and run an online workshop
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Mental Health Foundation: Mental Health Awareness Week
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MHFA Mental Health Resources: Remote Working
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March Network: Creative Isolation
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Film + TV Charity: Mental Health Community
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Using film screenings to raise public awareness of mental health
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Into Film Resources: Mental Wellbeing
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5 Documentaries About Depression & Mental Health Conditions That Have Helped Move The Conversation Forward
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The State of Mental Health
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Scottish Mental Health Arts Festival
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Northern Ireland Mental Health Arts Festival
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Film: Final Ascent: The Legend Of Hamish McInnes (PG)
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Mind: Information and Support
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Minds on Film Index
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Mental health facts and statistics
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Film: The Hours (12)
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Film: Madeline's Madeline (15)
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11 Films For Teaching Children’s Mental Health Week
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BBC Teach: Mental Health and Wellbeing teaching resources
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Cinematic Representations of Mental Illness: Melancholia/ The Girl on the Train / Three Colours: Blue
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Mental Health Toolkit for Employers
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Black and Minority Ethnic communities faced with double the levels of discrimination
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YoungMinds: Fighting for young people's mental health
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Film: Irene's Ghost (PG)
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BFI Player FREE archive film: A Modern Guide to Health
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Film: Eighth Grade (15)
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Into Film Resources: Mental Wellbeing
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Whole Picture Programme - Pioneering action for better mental health
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Film report - Screening madness: A century of negative movie stereotypes of mental illness
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Mental Health for All by Involving All | Vikram Patel | TED Talks

MHFA: Supporting your mental health while working from home

Jo attended Opening our Doors: Inclusive Cinema in Glasgow 2019 to run a workshop on marketing diverse titles for audiences.

“One of things I enjoy most about working on grassroots and outreach marketing on film projects is the sheer diversity of campaigns you can be involved with as well as the creative freedom you can exercise on the below the line activity associated with these projects.

“As cinemas, community cinemas or festivals its imperative you treat grassroots/outreach marketing as an integral part of your audience development programme – you’ll need to nurture and cultivate these relationships over time.

“Look at your programme at a whole and find the common links between films  – look at I, Daniel Blake and Nae Pasaran! for instance, there is definitely a crossover in terms of the politics or looking at young empowered female led films like Patti Cake$ and Skate Kitchen. Be as strategic as you can with your programming.

“Organisations and individuals you engage with will become your ambassadors and champions so its important you keep the conversations with them going even during your quieter periods or between events.

“Also as local organisations you’re a unique position to understand the sensitivities and culture of your community, this is a massive advantage – think of all the knowledge you have and how it can be best used!”

Top 10 Tips

  1. Start with a SWOT – identify strengths, weaknesses, opportunities and threats for your upcoming film programme and events.
  1. Positioning – think about how are you positioning your films and events, does it ‘speak’ to your audience?
  1. Identify your audience – customers are only loyal to brands up to a certain point, don’t make the assumption they will come to your venue, engage, engage, engage!
  1. Assets – distributors spend budget on creating sharable assets for social, make sure to keep in touch with them to get up to date content to keep your messaging to audiences fresh!
  1. Data – depending on your CRM/Box Office system can you analyse your audiences by what they watch? If so, do you have permission to contact them (GDPR!) or do you have specific mailing lists e.g.; opera/ballet or kids season.
  1. Outreach – film releases can be so singular but try to identify common themes in your programme line up well ahead of time, e.g. youth audiences, political audiences and build a relationship with these audiences – how do they ‘consume’ their news?
  1. Partnerships – look at recent release of Nae Pasaran!, this film had a ton of support from local union branches, which created audiences (and demand!) for the film ahead of its release.
  1. Research – find out who your audience are with exit polls, not only is it an opportunity to get some key demographics on them but also to find out how they interact with your brand plus get them signed up to your mailing lists. (TIP: Have chocolates on hand for gentle coercion!)
  1. Eventise – not everyone likes Q&A panels, Patti Cake$ had battle raps and spoken word sessions on its opening night.
  1. Think outside the box – creativity sparks ideas, could you run a ‘strategy hack’ with all staff and your youth reps? Could the distributor provide financial support for some one off activity – Tyneside Cinema had a fire-eater for the release of The Girl Who Played with Fire.

BFI Statistical Yearbook 2018

Presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2017. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film.

FDA Yearbook 2018

The 2018 edition contains 128 pages of data and generic comment on the past year’s cinemagoing in the UK and Ireland, some of it specially commissioned and not published elsewhere. The book offers insights into how film distributors drove consumption by bringing a wide range of 874 releases to UK cinema audiences. There’s also an … More

2680 out of 7000 languages spoken in the world are endangered. Only a few hundred languages have genuinely been given a place in education systems and the public domain, and less than a hundred are used in the digital world.

International Mother Language Day has been observed every year since February 2000 to promote linguistic and cultural diversity and multilingualism. In 2019, the United Nations declared The Year of Indigenous Languages (IY2019) to raise awareness and recognise the important cultural value that they bring to our world.

The UN has proclaimed 2022-2032 the International Decade of Indigenous Languages to draw global attention on the critical situation of many indigenous languages.

This is a great time to focus on planning screenings of films not in the English language, learn about the challenges Indigenous languages face by connecting people through language and culture through film.