How a new technology will help blind people ‘see’ at the cinema
An app that creates an audio description soundtrack for films is helping blind people ‘see’ at the cinema – but not enough is being done to implement the technology.
An app that creates an audio description soundtrack for films is helping blind people ‘see’ at the cinema – but not enough is being done to implement the technology.
Earlier this year a group of blind and partially sighted people who regularly use audio description (AD) in cinemas joined the test screening of Beauty and the Beast at the Odeon Cinema in Haymarket, London.
In the UK, it is thought that some seven million people of working age have a disability, which all adds up to an awful lot of spending power.
In this day and age all cinemas should be accessible for disabled people, right? Emma Purcell investigates to find out about people’s experiences of accessibility and customer service at cinemas, as well as what regulations are, or should be, in place to improve equality for disabled people at UK cinemas.
Here’s everything you need to know about watching films in cinemas, on DVD and Blu ray discs if you’re blind or partially sighted.
While film shown in cinema and on TV has the technical facility for a secondary audio track for audio description (AD), most arts and heritage venues will use YouTube or Vimeo as a platform, and embed the player within their website. Neither of these has a secondary audio track facility.[1] Following the steps and tips … More
Guide on accessing PDFs for users with visually impaired users of screen reading technology. Includes examples, principles, common problems and solutions.
The aim of this guide is to give you practical ideas about how to increase diversity in both those who experience the arts (audiences) and those who participate in making art (creators).
The dos and don’ts of designing for accessibility are general guidelines, best design practices for making services accessible in government. Currently, there are six different posters in the series that cater to users from these areas: low vision, D/deaf and hard of hearing, dyslexia, motor disabilities, users on the autistic spectrum and users of screen readers.
This guide is a compilation of ‘top tips’ and general guidance for working with and welcoming disabled artists and audiences of all ages. We hope it offers long and short term options for people working to any budget. It is not going to give you all the answers (we don’t have them) but we hope … More