The Exclusion Act is a report that uses data driven research to share insight & evidence to the film industry on where inclusion of British East & South East Asians [BESEA] is failing. The headline findings of this study shows that in the past ten years, 0.8% or only 9 out of 1077 British films … More
Queer East is an LGBTQ+ film festival aiming to showcase rarely seen queer cinema both from and about East and Southeast Asia and amplify the voices of Asian communities in the UK. It has been over half a century since the decriminalisation of homosexuality in the UK but stereotyping, discrimination, and misrepresentation still exist. This … More
In association with the Film and TV Charity, We Are Parable developed Momentum, a three step approach to helping Black filmmakers get their work seen whilst simultaneously supporting them with mentoring and the ability to navigate their mental health through a challenging industry. We spoke to We Are Parable co-founder Anthony about the initiative, its … More
This week on the Boxoffice Podcast, co-hosts Daniel Loria and Rebecca Pahle have an in-depth conversation about diversity, equity, and inclusion in the cinema space with Sadia Pineda Hameed.
In this inspiring and powerful talk, Megan Francis traces the root causes of our current racial climate to their core causes, debunking common misconceptions and calling out “fix-all” cures to a complex social problem Megan Ming Francis is an Assistant Professor in the Department of Political Science at the University of Washington where she specializes … More
This toolkit is, foremostly, a practical guide for improving the experiences of POC (people of colour) audiences, staff and filmmakers – and other intersections including gender, sexuality, disability, income and class. Whilst the harm and discrimination POC face in the arts both as workers and audiences is firmly rooted within institutional and systemic injustice, preventing immediate harm is the key priority – and that begins with immediate, though not as radical, reform. This goes beyond representation, and towards creating a space built for all people rather than for primarily white audiences. Whether your cinema is in a rural part of the UK, or in a densely populated city, ethnically diverse audiences are there and it is your cinema’s role to serve them.
The second function of this toolkit is to create lasting change for future generations, and sustain your organisation in a meaningful way (one which is framed around serving communities and not merely securing funding). To do this, you must play your role in preventing harm on an institutional and systemic level. In addition to immediately actionable tools, this toolkit will encourage inner, reflective and dialogue-based work towards undoing systemic injustice. This work will be longer term, and may at times feel personal, however confronting these uncomfortable spaces from positions of privilege is fundamental to creating wider change. Treat the provocations as actionable on a personal level within your roles and workplaces, because the results will be structural change that will not allow harm to exist within your organisations.
It is important that this toolkit is offered to all staff members in your cinema or film organisation; from trustees and managers to programmers and front-of-house staff. Whilst some will find responsibility placed on them to action certain aspects, others will be empowered by the conversations around equity this toolkit may enable. We implore you to talk widely within your organisation about the implications of this toolkit, in an environment in which hierarchies are cut away. Pay all staff equally to feed into this dialogue, and you will see what emerges on this new ground.
Whilst this toolkit has been written in the locale of South Wales, it is aimed towards independent cinemas, festivals, film-based organisations and digital film spaces across the UK – responding to regional differences in audiences, access to funding, rurality and lived experience.
We hope that once this toolkit is worked through, you will come away with an understanding that increasing diversity and access is not a means of sustaining your organisation, but of sustaining and resourcing the communities that cinema serves. This document further hopes to provide an opportunity to reflect on your organisation’s intentions, and how to realign those back to serving all audiences and filmmakers.
Immediate implications will be a reimagining and dismantling of old ways of working, and implementing new models of equity within your organisation and for those who enter your space (whether physical or digital). This is necessary work as a cultural space. It is always possible if there is the will to change, from staff make-up to programming practices, organisational hierarchies to an equalisation of pay; but if there isn’t a will to change, there must be a divestment of power and transference of funding to the communities your organisation is failing to serve. This toolkit will help you confront these different potentials for change.
This is difficult work because it calls for challenging your positionality, your personal and emotional responses, your attachment to a workplace, your unconscious and conscious biases, your own stability, your lived experiences, and the harmful structures you may benefit from. Then, it calls for a letting go. Inequity is not any one person’s fault but it is our collective responsibility to understand and undo it. And finally, it calls for a real commitment to doing the work.
Download the plain text version.
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In April 2021, Sadia spoke with BoxOffice Podcast about the toolkit. Listen here and check at the link for a full transcript of the interview.
On May 25, George Floyd became one of around 1,000 people killed by American police annually. In the days following, organisers across the globe led anti-racist marches in solidarity with those protesting for Black Lives Matter on the ground in Minneapolis. Londoners took to Trafalgar Square in their thousands for a peaceful protest, kneeling for … More
