Film + TV Charity: Looking Glass ’22 Report
The most recent edition of our landmark study of mental health and wellbeing among the industry workforce.
The most recent edition of our landmark study of mental health and wellbeing among the industry workforce.
The BFI’s Screen Culture 2023 Strategy highlights young audiences aged 25 and under as a priority target audiences and this now includes programming for children and families. Film London are highlighting new release family friendly films with marketing packs and suggested workshop activities, starting with Curzon’s Robot Dreams! Download the pack.
Into Film’s ‘No Barriers to Cinema’ series supports and spotlights cinema audiences with accessibility requirements. Whilst the first focused on subtitled cinema, this one explores audiences with Autism Spectrum Disorder (ASD) through the unique experiences of two guest writers.
How loudness and sensitivity to sound and music can affect the cinematic experience for neurodivergent audiences.
Daydream Cinema creates and supports accessible opportunities for neurodivergent and disabled people to enjoy films in their communities and in cinema venues.
We have collated some guides to help you to increase and improve access for disabled, d/Deaf and neurodivergent people in your organisations, whether that be for audiences at the cinema or for employees.
Cinemas across the country currently offer specific accessible screenings, such as subtitled, audio described, BSL interpreted, relaxed environment, autism-friendly, and/or dementia-friendly screenings.
Your Local Cinema lists many subtitled and audio-described screenings
Accessible Screenings UK also list autism-friendly, subtitled and audio-described screenings
Ramadan is one of the most spiritual times of the year for the world’s 1.8 billion Muslims. Together with UK Muslim Film, Film and TV Charity have put together this handy guide, so you can know how to support your colleagues and friends during the month.
Everyone deserves access to life-changing cinema, but for those with learning disabilities or neurological conditions, cinema environments can often be inaccessible. In this blog, Rosemary Richings draws on personal experience to discuss the value of relaxed screenings, and speaks to Jonathan Gleneadie (Barbican, London) and Robert Barham (Hyde Park Picture House, Leeds) about the sorts of practical considerations exhibitors should keep … More
Content notices are a contentious area. Some see them as a duty of care that film exhibitors owe to their audience, while others say they’re an unnecessary measure and can even be counterproductive. In this blog, the ICO’s Duncan Carson speaks to film professionals who have introduced content notices about their experience and what the … More
Audiences want to know the answer to a very simple question – will they fit? It is very important to us as a film team, for fat audiences and future cinema audiences that venues embrace publishing seat sizing on their websites. On the listing of our screenings but also on the access page. Alongside other … More