What might a more inclusive film programming world look like?
Lillian Crawford and her fellow Barbican Young Programmers reflect on their experiences of curating film events and hopes for a more inclusive film programming community.
Lillian Crawford and her fellow Barbican Young Programmers reflect on their experiences of curating film events and hopes for a more inclusive film programming community.
The 2024 Oscars will include confidential accessibility requests for all nominees and guests, captioning, audio description, in-theater assisted listening devices, accessible seating and parking, and a suite of ASL interpretation services.
FWD-Doc in association with Doc Society supported by Netflix presents: A Toolkit for Inclusion & Accessibility: Changing the Narrative of Disability in Documentary Film
In this article, curator and subtitler Sonali Joshi considers the importance of subtitles and audio description in making films accessible to wider audiences, and highlights the skill required to make these elements blend seamlessly into a filmmaker’s work.
Experience art and culture through audio description. Bringing art and culture to life for blind and visually impaired people at theatres, museums, galleries, heritage sites and online.
Project title My Sound Cinema Short bio of organisation Screen Language Ltd offers accessibility and linguistic services for film including multilingual subtitles, captioning/descriptive subtitles, audio description, live captioning and BSL interpreting. We collaborate with external bodies and universities to investigate the new frontiers of accessibility, aiming to improve equality, diversity and inclusion in the film … More
Podcasting a live event can be a great way to make your valuable event reach more people though the power of audio. It can help showcase the work and document the event for future listening.
This guide has been created by Adam Zmith, Co-founder of Aunt Nell, Producer of The Log Books and The Film We Can’t See.
It is a guide for film programmers / event managers / tech people working in cinemas who want to make a podcast out of their live events. It has been created for our T.L.C (aka Tender Loving Care for Trans-Led / Trans-Loved Cinema) series of events and podcasts. The is aimed at people who would like to create a podcast and are running live events in cinemas where there will be a PA/sound system and assistance from a tech person.
This guide intends to give you broad headings for everything you need to think about, some answers for how to make it all happen, and links out to further information.
Download the How To Podcast Your Live Event guide
If you recently watched Crip Camp: A Disability Revolution and want to learn more here are 7 documentaries by Deaf and disabled people for you to check out. These films are available for either rental, purchase, or by subscription on various platforms and websites. You can find information about captions or audio description by going … More
This guidance was written for government communicators but may also be useful to other communication professionals. We absorb a wide range of information every day through different communication channels, for example, radio, television, newspapers, advertising, internet and word of mouth. Some of these methods may be out of reach or inaccessible to some disabled people. … More
Why do artists use social media? How important is social media to an artist’s career? And if artists want to use it to their advantage, what do they need to do? In this report, Gabrielle de la Puente outlines the impact of social media on artists as a tool for work, networking, and creativity. The … More