Girish Shambu, University of California Press

The old cinephilia is the cinephilia that has dominated film culture for the last seventy-five years. Its origin story recounts its rise in post–World War II France, its auteur worship, and its cult of mise-en-scène. Over the years, this story has made a profound mark on Euro-Western film culture, and has come to be installed as the hegemonic narrative of movie love, period. A magic trick: the local has quietly become the universal.
The new cinephilia recognizes two things about this origin story: that it is simply one narrative of movie love among innumerable in the world; and that it has been authored mostly by one minority group: straight white men.